coldgoldlazarus:

sandersstudies:

sandersstudies:

sandersstudies:

sandersstudies:

Every 21st century piece of writing advice: Make us CARE about the character from page 1! Make us empathize with them! Make them interesting and different but still relatable and likable!

Every piece of classic literature: Hi. It’s me. The bland everyman whose only purpose is to tell you this story. I have no actual personality. Here’s the story of the time I encountered the worst people I ever met in my life. But first, ten pages of description about the place in which I met them.

Modern writing advice: Yes your protagonist should have flaws but ultimately we should root for them and like them from the beginning :)

Charles Dickens: Here is the worst ugliest rudest meanest nastiest bitch you’ve ever met in your life.

Modern writing advice: Make sure your POV character goes through a significant arc! Make sure they are changed by the narrative! Make sure they learn a lesson!

Narrators of every book of the 19th century: the lesson I learned is these people fucking suck, sayonara you freaks

Modern writing advice: It’s all about the character overcoming obstacles and learning! They learn their lesson so they can fix their mistakes and make good choices in the future! It’s a character arc! It’s called growth! Readers love it!

Everyone from ancient times through the 19th century: would you like to watch a Guy fuck up twenty times in a row

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fortuneaday:

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[A white fortune cookie paper with blue text. Front: The best times of your life have not yet been lived. Lucky Numbers 41, 36, 22, 51, 39, 34 Back: August, Chinese text 八 (bā) 月 (yuè)]

livingdeadpoetssociety:

zacianv-deactivated20230815:

if i was a fine, fragile linen would you handwash me 🥺 or put me in that damned maschine 😑

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sweetlemondream:

the angel and demon on the shoulder symbolism oh im sick

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axel-tiredstudent:

Crowley and Aziraphale as the painting "Couple Dancing" by Leyendecker, in Leyendecker's style. Crowley is on the left, he's facing Aziraphale who's behind him and to the right, but Crowley's head is turned so you can see his side profile. He's wearing a blue dress. Aziraphale's right hand is on Crowley's waist. His left hand is holding Crowley's because they are dancing. Aziraphale is facing the right side of the painting, opposite to Crowley. He's wearing a tuxedo but you can only see the white shirt and the white vest because the black suit fades with the black background.ALT

The ineffable husbands as “Couple Dancing” by Leyendecker

Painting this was difficult but really fun and rewarding, I love the result!

(I’m @/noixtky on Instagram!)


EDIT: thank you soooo much for the support to this painting ❤️ I’ve gotten a few comments about getting this as a print so if you’re interested in that please read this ^^

hiscleric said:

hey neil!!

the historical flashbacks are some of my favorite scenes in season 1 and season 2 of good omens, so i was wondering if there were any time periods you’d really like to portray aziraphale and crowley in that you haven’t already???

camilleflyingrotten:

neil-gaiman:

Quite a few. Ones that we had planned as possible for Season 2 (that either didn’t get written or didn’t get filmed) included a Wild West one, a 15th century Papal one, an Arabian Nights one, and a 1960s American one with Crowley and Aziraphale female presenting. And we have the whole of human history as a canvas. But for now the ones you’ve got are all.

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« 60s American where they’re female presenting » had me on my KNEES.